Grammy® nominated singer-songwriter Olivia Rodrigo takes a familiar road trip from Salt Lake City, where she began writing her debut album “SOUR,” to Los Angeles. Along the way, Rodrigo recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life. Through new live arrangements of her songs, intimate interviews and never-before-seen footage from the making of the album, audiences will follow Olivia along on a cinematic journey exploring the story of “SOUR.”

The Bellas are back, and they are better than ever. After being humiliated in front of none other than the President of the United States of America, the Bellas are taken out of the Aca-Circuit. In order to clear their name, and regain their status, the Bellas take on a seemingly impossible task: winning an international competition no American team has ever won. In order to accomplish this monumental task, they need to strengthen the bonds of friendship and sisterhood and blow away the competition with their amazing aca-magic! With all new friends and old rivals tagging along for the trip, the Bellas can hopefully accomplish their dreams.

Timon the meerkat and Pumbaa the warthog are best pals and the unsung heroes of the African savanna. This prequel to the smash Disney animated adventure takes you back — way back — before Simba’s adventure began. You’ll find out all about Timon and Pumbaa and tag along as they search for the perfect home and attempt to raise a rambunctious lion cub.

Includes live performances from Tim McGraw and Faith Hill’s 2017 Soul2Soul world tour, as well as an intimate look inside their relationship. Never before seen interviews are presented along side behind-the-scenes footage, capturing their chemistry on and off the stage. Directed and executive produced by the award-winning team of Dan Cutforth and Jane Lipsitz.

A compilation of primarly Laurel and Hardy shorts—From Soup to Nuts, Wrong Again, Putting the Pants on Philip, The Finishing Touch, Sugar Daddies and short clips from others—plus Max Davidson’s Call of the Cuckoo and Dumb Daddies, with some cross-over Charley Chase footage, which, along with Robert Youngson’s previous “The Golden Age of Comedy”, “When Comedy Was King”, “Days of Thrills and Laughter”, led to a renewed interest in and a revival of television showings of Laurel and Hardy shorts. The cast was billed in order of their appearance: Oliver Hardy, Stan Laurel, Vivien Oakland (with a Vivian typo), Glen Tyron, Edna Murphy, Anita Garvin, Tiny Sanford, Jimmy Finlayson, Charlie Chase, Viola Richard, Max Davidson, Del Henderson, Josephine Crowell, Anders Randolf (as Anders Randolph), Edgar Kennedy, Dorothy Coburn, Lillian Elliott and “Spec” O’Donnell.

Five years have passed and Luther still blames Detective John Smith for destroying his life, as John had helped convict Luther on a murder charge. After being denied parole, Luther, along with two goons, escapes from prison. John, now married, is a minister and stepfather to an adolescent girl. Seeking revenge, Luther and his goons break into John’s house and hold his family hostage. John makes a harrowing attempt to coax Luther to do the right thing – but will he do it?

‘The Devil’s Familiar’A Found Footage Horror Feature brought to you by Severed Head Entertainment..A video camera is anonymously handed into Police.. The extracted footage is projected onto a screen we watch (the audience) as well as DCi Barker and other CID officers..The only information we know so far is that the video content was filmed by two students named Elliott Mooney (student number 06852105) and Jake Mcintyre (student number 05437921)..Elliott and Jake are studying Film and Video Production at Henwick University and this is there final film for the degree…The film is shot in a documentary style. It is about the 2006 Ribbesford Woods Murders where a man was found brutally murdered, another man “disappeared” in the woods. Sally Edwards was sent down for the murder.Elliott and Jake decide to look into the theory that Sally Edwards (Sarah Page), the woman convicted of the crimes was innocent and that a legendary creature was responsible. Along with local zoologist Logan (David …

This 25th anniversary film of the legendary Oasis gig at Knebworth features a 1996 archive concert that has never ever been shown alongside rare backstage footage, with additional interviews with the band and concert organisers.

Three cowhands, between jobs, have the bad dumb luck to pitch night camp in the same valley as a cabin full of guys who just robbed a stagecoach and killed the guard. Come morning, a posse arrives, forms up along the ridge, and takes for granted that everyone down below is guilty–fit for either shooting to bits or hanging from a tree, whichever comes first. Precisely half of Ride in the Whirlwind’s 82 minutes is devoted to tapping the matter-of-fact, absurdist horror of that situation. In the remaining half, the two surviving cowpokes (Jack Nicholson and Cameron Mitchell) seek shelter at a farmhouse where they reluctantly threaten the farmer, accept breakfast from his wife, flirt with his daughter (Millie Perkins), play some checkers, and hope to remain undetected till nightfall.

As Spud Milton continues his awkward stagger through adolescence, he learns one of life’s most important lessons: When dealing with women and cretins, nothing is ever quite as it seems. “I’m practically a man in most areas,” writes Spud confidently on his sixteenth birthday. The year is 1992 and, in South Africa, radical change is in the air. The country may be on the bumpy road to an uncertain future, but Spud Milton is hoping for a smooth ride as he returns to boarding school as a senior. Instead, he discovers that his vindictive arch enemy is back to taunt him and that a garrulous Malawian has taken residence in his dormitory, along with the regular inmates and misfits he calls friends. Spud’s world has never seemed less certain; he attempts to master Shakespeare, wrestles constantly with his God, and the power of negative thinking, and develops an aversion to fried fish after a shocking discovery about his grandmother, Wombat.

Klitschko tells the captivating story of the boxing worlds most famous brothers: Vitali and Wladimir Klitschko. From the socialist drill of their childhood in the Ukraine, and their first successes as amateurs, to their move to Germany and subsequent rise as international stars on the verge of holding the championship titles of all five boxing federations (Wladimir secured this with his unanimous World Boxing Association win against David Haye on July 2nd, 2011). Along the way they experience defeats and setbacks, low points and triumphant comebacks as well as conflicts with each other. Exciting conversations with companions and opponents, including the very first with the Klitschkos parents, give insight into their personal lives, plus never-before-seen footage of the draining preparations for a fight, and the spectacular boxing matches. Director Sebastian Dehnhardt composes an intimate and fascinating portrait of two exceptional athletes who are, before all else, brothers.

The Bridge is the controversial documentary that shows people jumping to their death from the Golden Gate Bridge in San Francisco. Director Eric Steel staked out for a year under the infamous bridge filming 23 suicides. The footage was then compiled along with interviews from family, friends, witnesses, and survivors to create this disturbing yet very intriguing documentary.

Cowboy Bill Martin has traveled the world doing his own brand of original stand-up comedy. Now, in his first one-hour special, the man they call, Cowboy Bill returns home to talk about love, the frailty of life and the magnitude of being a modern man. Sure he wears cowboy garb on stage and he speaks with a Texas accent, but his comedy touches people of all cultures. CMT, along with Inception Media Group, Middlin’ Creative and Cowtown Drive-In Productions are proud to announce the World Television Debut of the stand-up comedy one-hour special, “Cowboy Bill Martin: Let the Laughter Roll”, Saturday Night, Nov. 21, 2015.

Conjoined twins Daisy and Violet Hilton were once the cream of the sideshow crop. Taught to sing and dance at an early age, the winsome duo ascended through the early 20th-century vaudeville circuit as a side attraction (working alongside Bob Hope and Charlie Chaplin as well as a memorable turn in the Tod Browning classic “Freaks”) before a cascade of unscrupulous management and harsh mistreatment brought their careers (and lives) tumbling down. This engrossing glimpse into a bygone era is filled with fascinating interviews and rare archival footage.

Stuart is a having a mid-life crisis. Desperate for something more in life, he tags along on his best friend’s family vacation to Paris – then proposes to his friend’s 24-year-old daughter, Rosalind, while standing under the Eiffel Tower.